Mixed media, Saturday 7 March 2020

Films

  • Once Upon a Time in Hollywood A film so memorable I forgot to include it in my last mixed media post, despite updating that post twice with items I’d forgotten when I first wrote it. It’s a very pretty film. The cinematography is amazing, and it evokes a wonderfully moody feel for Los Angeles in 1969. It just doesn’t have anything to say.
  • ⭐️ Birds of Prey Fiona and I went to see this to celebrate her being able to watch 16+ rated films here in NL now! It’s very good. Fun story, great use of narrative structure and editing to tell it in a way that echoes Harley Quinn’s manic and fragmented personality.
  • ⭐️ Train to Busan Zombies on a train!
  • ⭐️ Uncut Gems I saw the Safdie brothers’ previous film Good Time in 2018, and thought it was excellent. Uncut Gems has the same frantic energy and characters right on the edge of chaos. Don’t let the presence of Adam Sandler fool you: this isn’t a comedy. He plays a terrible person, and the awful situations he finds himself in are all of his own making. He’s an anti-hero all the way. The film didn’t make me care about him in the sense of wanting him to be happy, but his story was relentlessly compelling. I was practically holding my breath the whole time, wanting to know how (and if) it was going to work out in the end.
  • The Last Thing He Wanted Wherever the line is between “understated” and “bland”, this film was on the wrong side of it.
  • ⭐️ Sonic Yes, genuinely good. Despite a characteristically cartoonish performance, Jim Carrey contributes but he doesn’t steal the show. The heart of the film lies with the friendship that develops between policeman Tom and Sonic. It’s corny, but it works.
  • ⭐️ Parasite Amazing. Deserves all the praise it has got. I’m sure there’s a lot of symbolism and cultural meaning I missed, but no matter what I missed it’s still an amazing thriller with universally relevant themes.
  • ⭐️ Better Luck Tomorrow Early film by Justin Lin about a group of teenagers whose indiscretions and petty crime spiral out of control. Alex pointed out that this film is actually set in the Fast and Furious universe, with the character Han (played by Sung Kang) making his very first appearance.
  • Spenser Confidential Why. Whyyyyyy. Why does this film exist? Working theory: it exists to entice and then disappoint Robert B. Parker fans everywhere. This is not a Spenser film. Wikipedia (currently) says that the film is “very loosely based” on the novel Wonderland by Ace Atkins, who took over writing the Spenser series after Parker died. How about we go with, the film is based on the names of characters featured in the book. Because other than the fact that Henry runs a boxing and MMA gym, and that Pearl is a dog, these characters are completely unrecognizable. The thing is, this would have been a perfectly serviceable crime thriller otherwise. Just give the characters different names, and I would have been down for this anyway. Mark Wahlberg, Winston Duke, Alan Arkin, and Iliza Shlesinger have some good on-screen chemistry! So if you have no prior knowledge of the Spenser books, you might enjoy this as a relatively lightweight crime/corruption thriller. But I’m feeling grumpy about the naming, so it gets no star from me.

TV

  • ⭐️ Road Quest A Kickstarted YouTube series produced by Loading Ready Run, in which six of their hosts drive three second-hand cars on a road trip from Victoria, British Columbia, to Dawson City in the Yukon. It has certain elements of Top Gear, but it’s a completely different experience. It’s kinder for a start. Also, although it’s professionally produced, it’s still beautifully amateurish in the sense that these people don’t make automobile content for a living. They’re just a bunch of friends (presenters, comedians) who decided to make a video series about a journey they thought would be fun to take. It’s relaxed, relatable, and full of geek culture references. Alex was a backer on Kickstarter, and he’d been looking forward to it ever since it was announced. When it started streaming, I became a fan, too. It’s just so Canadian and lovely. The soundtrack is great, too.
  • ⭐️ Locke and Key (season 1) I love the comics, and I thought this was a great adaptation. It dials down the family tragedy, violence, and existential horror by quite a bit, but it retains much of the mystery and wonder. The season finale leaves the door open for a season 2, but wraps the story up in a sufficiently satisfying way that it doesn’t feel like a cliffhanger. (Come to think of it – TV shows are starting to get good at this kind of ending. Consequence of the streaming “all episodes at once” era?)
  • ⭐️ Runaways (season 1) Same as above. Love the comics, love the adaptation. Unlike Locke and Key, which sticks fairly closely to the books, Runaways takes the basic elements of the source material but runs them very differently. The fact that the adults get equal screen time (and are developed sympathetically) is one of several major shifts. I think it works. The show has two more seasons already out in the world, but they haven’t landed on Disney+ yet, presumably because of licensing issues.

Categories
Mixed Media

Mixed media, Saturday 1 February 2020

Fuck Brexit!

The words Europe and Scotland linked by a heart, projected onto the side of the European Commission HQ
Europe ❤️ Scotland

Town in Netherlands replaces Union Jack with Saltire in EU flag line-up

I haven’t quite figured out how to make a European Flag tattoo design that works for me yet.

Fuck Brexit!

Knives Out movie poster

Films:

  • El Camino (Breaking Bad movie) A good chaser after having finished watching all of Breaking Bad and Better Call Saul.
  • ⭐️ Knives Out I’m a fan of Rian Johnson’s, and I’d been looking forward to this for ages. Watched it at the cinema with Abi and Fiona on my birthday, after rushing down a pineapple and jalopeño pizza (yes) at the Domino’s around the corner to catch the movie start time. Excellent film, absolutely loved it.
  • The Irishman Boring. The facial digital de-aging was good, possibly the best we’ve seen to date, but they forgot to de-age the actors’ gaits. In scenes where he’s supposed to be playing a man in his 40s, De Niro still walks and moves like a man in his 70s. Also, did I mention the film’s boring? Because it’s boring.
  • Rise of Skywalker Yes, it’s stupid and full of plot holes, but I liked it. Kinda glad that the cycle is done now, though.
  • ⭐️ Warcraft You know what? Not at all bad. It’s not Moon or Source Code, but it’s not a turkey. It’s not subtle, it’s not groundbreaking, but it’s sincere in putting on an entertaining and exciting big-budget fantasy spectacle that isn’t set in Middle Earth. I enjoyed it.
  • Roman J Israel Esq Knowing nothing about this film other than having watched the trailer clip showing a single scene of dialogue between Denzel Washington and Colin Farrell, this went in a completely different direction than I’d expected. Thoughtful, uncomfortable, pretty good.
  • 💩💩 6 Underground I tried watching this, but I couldn’t. A billionaire faking his own death so he can mete out vigilante justice with no regard for collateral damage is…troublesome at best, the I found the opening car chase scene so abhorrent that I deleted the download from my phone so that I wouldn’t be tempted to try returning to it. (Yes, Bruce Wayne/Batman, yes, Tony Stark/Iron Man. I know.)
  • Frozen 2 Good. Kristoff’s “Lost in the woods” eighties music video parody is hilarious.
  • My name is Dolemite Excellent. Funny and moving story of a comedian trying to make it big, and do it his way.
  • Song of the Sea Beautiful film, gorgeous animation.
  • Jojo Rabbit Brilliant. I found the start uncomfortable, with how much it leaned in to painting the nazis in a normal and humorous light, but it turned into something altogether sharper, more subtle, and more emotional.

TV

  • Rick and Morty season 4 (or at least the first half of it) – still funny.
  • Watchmen Excellent, intense, twisty & turny, although the use of kinetic weapons in the final episode felt inconsistent in its execution.
  • The Good Place season 4 Wow. Hard to keep up the level of comedy and still bring that to a satisfying ending, but they really did it.
  • October Faction season 1 I won’t be surprised if Netflix doesn’t renew this for a second season, and I won’t be super disappointed, either, because they brought this first story arc to a pretty solid conclusion. It’s relatively low budget, relatively low key and downbeat, definitely not the flashiest or best piece of TV out there. But what can I say? I enjoyed the family story, and felt a strong connection with the two parents, struggling to deal with two teens who themselves are trying to figure out their own identity in a new and difficult situation.
Slow Horses by Mick Herron book cover

Books

  • ⭐ The first 5 books of the Jackson Lamb series by Mick Herron: Slow Horses, Dead Lions, Real Tigers, Spook Street, and London Rules. Loved these. I came across them via Warren Ellis. Serious spy stories, with elements of Archer-like inappropriate humour that creep in around the edges. Looking forward to the next one.
  • 😐 Measure What Matters by John Doerr. He never comes out and explicitly says there is a causal link between the use of OKRs and corporate success (maybe his editor balked), but he sure as heck implies it at every opportunity. Now, I like OKRs, but I also like supporting evidence. This book is a selection of the most successful case studies from his personal acquaintance. Pretty! But completely lacking in balance, or in guidance for anything but the happiest of paths.

Music

  • Manic by Halsey is amazing. Varied and richly textured. And I can actuall play the bass part for “Finally // beautiful stranger” because it’s super easy (E-D-C-A) and at a tempo I can still handle. ❤️
  • The track “Alanis’ Interlude” on Manic features…Alanis Morissette, who I haven’t listened to for ages. As in, I hadn’t heard Flavors of Entanglement from 2008 or havoc and bright lights from 2012 at all. But now I have! I prefer the latter.

Update: I’d forgotten that in the time period for this mixed mediastravaganza I also had a subscription to Amazon Prime. This was accidental. I generally avoid Amazon (I disapprove strongly of their labour practices), but when I do use them, I always avoid signing up for their offers of Amazon Prime. But this time they caught me with one of their dark patterns. Something like a “no, I don’t want to not take advantage of opting out of this free offer” checkbox that I misinterpreted.

Anyway, so there I was with an Amazon Prime subscription, and Season 4 of ⭐ The Expanse just having been released as an Amazon exclusive, so I stuck around for that. And season 1 of ⭐ Fleabag. But not season 2, because despite season 2 being “Available on Amazon Prime Video” this apparently doesn’t mean it’s, you know, available on Amazon Prime Video in the way media are available on other video subscription services. Of course not, what was I thinking.

So anyway, that subscription is gone now.

And then there’s Disney+, on which we’ve watched season 1 of The Mandalorian. Mixed opinion. On the one hand Baby Yoda, on the other hand droid slavery and mass murder. So.

And as I was looking back over this media collection, I thought it was looking a bit light for a three month gap since the previous one…and then I remembered that ⭐ Spider-Man on PS4 kinda took over my life for while there. Time well spent.

Mixed Media, Wednesday 9 October 2019

I’ve been sick with my old nemesis, bronchitis, for the last week or so. I went to the doctor the other day to get a salbutamol inhaler, which is helping, but recovery is slow. Feeling my age. Being 32 sucks.

It it looks like I’ve spent a lot of time watching TV and films between now and the last Mixed Media post, chalk it up to a lot of travel time in September (New York, London, Edinburgh), and most of October so far lying in bed with barely enough breath to flick through Netflix for anything better.

Films:

  • Black Mass Dull film about horrible people doing horrible crimes
  • The Panama Papers Fascinating documentary directed by Alex Winters (yes, he of Bill & Ted fame)
  • Hellboy (2019) Entirely forgettable
  • Crazy Rich Asians Fun romantic comedy!
  • The Informant! Quirky true-story comedy drama about deception heaped upon incompetence.
  • 💩The Hummingbird Project Seeing the trailer, I’d thought this was going to be quirky like The Informant!, but based on the world of high-frequency trading infrastructure Michael Lewis described in Flash Boys. It could have been, if they’d remembered to shoot the third act. Instead, the film just cuts off mid-way through some pointless scene in a barn. And the only really sequence of real wit is the one where Anton Zaleski (Alexander Skarsgård) dances down a hotel hallway to the Beastie Boys’ Do It in his dressing gown. Other than that: great cast, wasted.
  • Bad Times At The El Royale Style over substance, with a weird religious redemption message at the end
  • Dora The Explorer Surprisingly good! Okay, it’s not going to win any Oscars, but it was good clean fun, with a lot of knowing winks to the parents and older kids in the audience.
  • Brawl In Cell Block 99 I didn’t buy Vince Vaughn as a mobster in season 2 of True Detective, but he shines here as a weary but hard-as-nails force of nature. The violence in this film is viscerally brutal, and not for the faint-hearted.
  • Dragged Across Concrete Similar in tone to Brawl, S. Craig Zahler seems to have a very distinct feel for his films. Very deliberate. He likes to take his time with each scene, and lets you soak in the inevitability of the horrible situations into which he puts his characters. Gripping, but fatalistic.
  • The Equalizer I remember watching the Equalizer TV show when I was younger. I thought I remembered that the Robert McCall character (then played by Edward Woodward) had a gimmick that he didn’t like to use guns, and so relied on his wits and other weapons. Doing some cursory internet “reasearch” shows that not to be the case, so, eh. In any case, the new Robert McCall played by Denzel Washington doesn’t use guns (in this first film), unless you count nail guns. It’s a solid reluctant hero action thriller.
  • In The Shadow Of The Moon I went into this looking for a serial killer crime thriller, but turns out to be a time travel serial killer crime thriller. I’ll allow it.
  • The Equalizer 2 Not as good as the first. Shouldn’t have killed Melissa Leo’s “control” character!
  • K-12 Long music video promo thing (“emotion picture“?) Good music & choreography, terrible connecting storyline, dialogue, and acting.
  • The Great Wall Also surprisingly good! Amazing visuals and action sequences. The dialogue and themes (collectivism) feels like they came from a different (Chinese) film-making tradition, but I’m down with that.
  • The Losers Have I seen this film before? I’m sure I’ve seen this film before. I didn’t have a sense of full-blown déja vu throughout it, just an overwhelming sense of familiarity. Chris Evans (after Fantastic Four and the underrated Push, but before Captain America) in his pink T-shirt, playing both with and against his tough hero type. Zoe Saldana playing the Zoe Saldana character. The comic book graphics of the title and credit sequences… I’m sure I’ve seen this before. Maybe I’ll see it again in another 10 years and ask myself the same question.
  • Escape plan 2 Sure
  • Escape plan 3 Okay
  • 💩 The Other Guys There’s actually a good comedy in here, but it’s obliterated by the weight of misogynistic and homophobic jokes. Has not aged well since 2010.
  • 💩 Law Abiding Citizen Violent sociopath goes on a killing spree to avenge the death of his family.
  • 💩 Taken 2 Violent sociopath goes on a killing spree to avenge the death of his family.
  • 💩 Taken 3 Violent sociopath goes on a killing spree to avenge the death of his family. Don’t judge me, I was sick.
  • Bastille Day Idris Elba
  • Close Bodyguard thriller with all-female leads. Felt cheap, somehow. Might have just been the acting.
  • Triple Frontier Modern parable about the evil of greed and the dangers of sunk-cost reasoning.

Overall Pedro Pascal Moustache rating: 2 out of 3. (The Great Wall and Triple Frontier, but not The Equalizer 2)

Pedro Pascal and his Moustache

TV:

  • Dark season 1: German mystery series, involving serial killer(s), broken families, and time travel. With some teen characters. Felt a little Stranger-Things-ish at the beginning, but takes its sense of dread in a whole different direction. A bit slow and heavy-handed, and too many characters to keep track of in the various timelines. But good! Do not watch the dubbed version. Use subtitles like a normal human being.
  • True Detective season 3: And boom, it’s back. Mahershala Ali and Stephen Dorff have a great dynamic together. The pattern of following the same characters through the ages probably doesn’t need a third outing, though. Just imagine season 2 doesn’t exist, and everything’s fine.
  • Mindhunter season 2: Where Season 1 belonged to Holden Ford (Jonathan Groff), the emotional centre of season 2 is Bill Tench (Holt McCallany). It’s very good, but some of the plot threads felt out of balance. Wendy Carr’s storyline peters out part-way through the season, and doesn’t feature in the last episodes at all. As does whatsisname Gregg who stays back at the basement. I suppose they wanted to stick close to the real-life events of the Atlanta child murders maybe?
  • Agents Of S.H.I.E.L.D season 5: Not their best season, but I liked it just fine.
  • Criminal: United Kingdom: A tight little police procedural drama – the gimmick being that the whole thing is set in a single location: an interrogation in a police station “somewhere”, the observation room next door, and the hallway outside them. Three short stand-alone episodes, each covering a different crime, linked by some lightweight drama between the police characters. A nice set-up, good for quick snacking. They re-used the same set for a Spanish, German, and French version as well – I’ll be watching them soon.

Books:

  • Principles of Applied Research Methods – Jackson, McDowall, Mackenzie-Davey, Whiting (eds). Now I know what “epistemology” means.

Categories
Mixed Media

Mixed media, 11 August 2019

TV

  • ⭐⭐ Bron | Broen (The Bridge): One of the best detective thrillers I’ve seen. The plotting is exquisite: over the course of each season the show follows a ton of characters that don’t seem significant at first, but are later revealed to be part of the puzzle, like keys for a sequence of interconnected locks. The crimes and the perpetrators are extreme and byzantine, but the police investigating them are grounded and vulnerable a way that British and American TV police often aren’t. (They’re also not buff and beautiful. They feel like real humans.) Sofia Helin is brilliant as protagonist Saga Norén. There’s a scene early in season 4 where she’s shown getting dressed in her iconic leather trousers, zip-up sweater and overcoat, and driving off in her classic Porsche 911. It was like watching a superhero do their first “suit up” scene in a Marvel movie. It also made me want to watch more European detective shows.
  • Jessica Jones season 3: Good. Sad we won’t be seeing more.
  • Stranger Things season 3: Hmm. In the episode “Bouncing Back From Rejection” of his WorkLife podcast, Adam Grant interviews M. Night Shyamalan about his successes and failures. Shyamalan talks about how he likes shifting genres during a film, and how he has learned that it’s better to shift from a genre of lower emotional intensity to one of higher intensity. (Like going from a family drama to a supernatural horror in The 6th Sense.) You have to raise the stakes. This season of Stranger Things didn’t do that. We’ve got supernatural comedy/horror all the way through, but it went from dread in the first four episodes to caper in the final four. My expectations weren’t fulfilled.
  • ⭐ 💩True Detective seasons 1 and 2: Season 1: brilliant. Season 2: exactly as bad as season 1 was good. Like Star Wars prequels vs. original trilogy bad. Could the characters be any more stereotyped? Could their dialogue have been any more awkward and implausible? Was George Lucas called in as a script doctor? So much mis-casting, so much faux noir.
  • 💩💩 Another Life season 1: Cool-looking trailer, but the first episode is utter garbage. Hot, sweaty garbage. Angry “give me that hour of my life back, you bastards” garbage. Offspring of Interstellar and Arrival, stabbed in the back, and corpse left in a Dumpster to rot for three weeks in the middle of a post-apocalyptic heatwave garbage.

Books:

  • The Mighty Thor vol 1: Thunder In Her Veins, by Jason Aaron, Russell Dauterman, et al.: Excellent
  • The Mighty Thor vol 2: Lords of Midgard, by Jason Aaron, Russell Dauterman, et al.: Also excellent

Films:

  • MIB International: It’s fine. Not great, but not as bad as some critics made out.
  • Rim of the World: War of The Worlds meets summer camp.
  • See You Yesterday: Starts as a lightweight kids-do-time-travel-for-science-fair, but takes a tragic and impactful turn to explore the impact of gun violence and biased policing.
  • Lego Movie 2: Fun
  • Glass: Brilliant first two acts, but stalls for the climax. Tries to open up an expanded universe; fails.
  • Prospect: Low budget science fiction drama about a girl and her prospector father looking for the one dig that will allow them to pay off their debts. It all goes wrong, and she has to team up with one of the bandits who ambushes them to fight for survival. Terrific script, fantastic drama.
  • Spider-Man Far From Home: Very cool, very fun.
  • Happy Death Day 2 U: Fun sequel! Heavier on the zany, lighter on the slasher thriller tension, and with some surprisingly deft emotional touches sprinkled throughout.
  • Fast and Furious presents: Hobbs and Shaw: Can you make a good blockbuster action movie based just on the ridiculous charisma of Dwayne Johnson and Jason Statham, and the (played for laughs) over-the-top hyper-masculine chemistry between them? Yes. Yes, you can.

Podcasts:

  • ⭐⭐ Against the Rules by Michael Lewis: Michael Lewis is my favourite author of non-fiction. This podcast, about “the decline of the human referee in American life and what that’s doing to our idea of fairness” is just as entertaining and insightful as his books. He’s talking not just about sports referees, but “referees” in every sense of the word: regulators, judges, arbitrators – supposedly neutral parties of every kind. It’s a fascinating blend of psychology, politics, and justice both legal and social. Highly recommended.

Mixed media, Sunday 9 June 2019

Books:

  • ⭐ Squirrel Girl vol 9: Squirrels Fall Like Dominoes by Ryan North, Derek Charm, et al: I like Kraven in this series. If I were to cosplay a Marvel character…
  •  Squirrel Girl vol 10: Life Is Too Short by Ryan North, Derek Charm, et al.: Squirrel Girl will remain defined by Erica Henderson’s designs, but I’m really enjoying Derek Charm’s art now.
  • Velvet vol 3: The Man Who Stole The World by Ed Brubaker, Steve Epting, and Elizabeth Breitweiser: Gorgeous art, tidy finale to this spy thriller.
  • Mister Miracle by Tom King and Mitch Gerads: I’m not steeped in the DC New Gods lore, and don’t have any attachment to Scott Free and Big Barda. So I’m probably the wrong audience for this book. I picked it up because of rave reviews, and because I like King and Gerads’ other work. I can see how other people would love this, but I found it boring.
  • In a House of Lies by Ian Rankin: Hmm. Rebus by the numbers.
  • Ms Marvel vol 10: Time and Again by G. Willow Wilson, Nico Leon, et al.: It’s fine.
  • Dark Matter by Blake Crouch: Extremely fast-moving parallel worlds sci-fi thriller about a man trying to get back to his wife and family. Reminiscent of Bob Shaw’s The Two Timers.
  • The Truth About Burnout by Christina Maslach and Michael P. Leiter: Like Why We Sleep by Matthew Walker, this book felt transformational to me. It feels like a lot of my reading and interestes over the last few years have touched on psychology, and organizational psychology in particular. Christina Maslach has been publishing research on burnout for 40 years. This book from 1997 is a landmark summary of what occupational burnout is, and the measured factors of its contributing factors in the workplace. This isn’t about relaxation exercises or positive thinking; this is hard research and case studies. It’s eye-opening and in many ways blindingly obvious. If you want to get a taste without reading the whole book, watch Maslach’s video below.

Films:

  • ⭐ Free Solo: Podcasts I listened to have consistently pointed out how poorly Alex Honnold behaves towards his girlfriend in this film. Are they right? I think so. Is it still a good documentary? Yes.
  • ⭐ Us: Superbly tense and subtle at the same time.
  • ⭐ Shazam: Fantastically fun and funny. Best DC superhero film since Nolan’s Batman.
  • 💩 Little: Fiona and I went to see this because we used to be in the habit of watching garbage films together, and we hadn’t done it for ages. This is garbage penned by someone who has never worked in a “company” and has never attended a “school”.
  • Wreck It Ralph 2: Ralph Breaks the Internet: It’s fine. Occasional moments of brilliance, but mostly just fine.
  • ⭐ Widows: Densely textured thriller with an emphasis on drama rather than action.
  • Creed 2: Creed was never not going to have a sequel. It’s decent, but predictable and lacking the intensity of its predecessor.
  • 💩 Tomb Raider: This was never not going to happen. This was never going to be good.
  • The Silence: Stanley Tucci is always a joy to watch. But can I even remember how this ends? No.
  • ⭐ Happy Death Day: Highly satisfying Groundhog Day time-loop slasher. Funny and exciting.
  • Man On Wire: I was unexpectedly disappointed by this. It’s a competent documentary, but a lot more matter-of-fact than I’d expected.
  • ⭐ Avengers: Endgame: They stuck the landing. After watching it in the cinema twice in a week, my main impression was how very long it is. Good, yes! But I hope we can get back to some short and snappy Marvel movies.
  • 💩💩 Transformers: The Last Knight: Hoo boy.
  • 💩 Beyond Skyline: Someone had told me this was surprisingly watchable. Their standards are clearly lower than mine, and subsequent recommendations will be weighted accordingly.
  • ⭐ Baantjer: Het Begin (Amsterdam Vice): Gritty Dutch police thriller, set against a backdrop of drugs and squatters’ rights riots in the week before Beatrix’s coronation in 1980. I don’t watch many native Dutch films; I was super impressed by this.
  • ⭐ Detective Pikachu: Brilliant. If you’re happy to buy in to the world of Pokémon and cartoonish battles and stereotypical bad guys, this is utterly charming and mischievous.
  • ⭐ John Wick 3: Parabellum: This is more of a ballet or a Gene Kelly musical than a movie. The fight scenes are choreographed and filmed with stunning precision and grace. The plot and characters are just filler to join the action scenes together, but even so they’re done with a crisp, dry wit.
  • X-Men: Dark Phoenix: This is just okay, which puts it miles above Apocalypse.

TV:

  • ⭐ Little Big Lies season 1: Loved this.
  • 7 Days Out: Netflix documentary series about the immediate build-up to big events, and the people who take part in them. Variable.
  • Luther season 5: I wasn’t really feeling this. Alice Morgan was brought back too unseriously; the villains were overplayed.
  • ⭐ Star Trek Discovery season 2: This is high quality Trek, with great characters and drama, but you really have to work hard to ignore any “science” or “numbers” they throw out. Perhaps a drinking game would add value here.
  • ⭐ Game of Thrones (the whole thing, s1-8): After watching season 1 years ago, and knowing that this was an entire story designed to have an ending rather than continue indefinitely, I decided to wait until the whole thing was done. (I don’t have a great memory for plot and character details if I have to wait a year between instalments.) Fiona and I started binge-watching it just before the first episode of season 8 hit screens, and timed it so that the last episode would be available by the time we caught up. It meant we had to spend some effort avoiding spoilers, but I think it was worth it overall. It’s an amazing cinematic achievement. But it’s hard to disagree with people who thought the last episode was a betrayal. It’s impossible to satisfy everyone when you bring a big story like that to a close. The finale was an equal opportunities middle finger to everyone who had invested in their favourite characters.

Mixed Media, Sunday 24 March 2019

Films:

Dawn Wall movie poster
  • ⭐ Dawn Wall: gripping documentary (no pun intended) about Tommy Caldwell and Kevin Jorgensen’s 2015 ascent of the Dawn Wall of El Capitan in Yosemite.
  • Captain Marvel: there was no chance I wasn’t going to love this. I’m a big fan of Kelly Sue DeConnick’s reinvention of Captain Marvel in the early 2010s.
  • Velvet Buzzsaw: a darkly stylish satire of snobbery and pretentiousness in the Los Angeles art world, grafted onto a weak but nasty supernatural revenge story. Amusingly flamboyant performances from a host of big names don’t save it.
  • 💩 The Predator: this is a very bad film. Toothless dialogue, poorly choreographed action, daft plot, zero suspense.
  • Hotel Artemis: the trailer made it look more fun. Flat characters, very little interesting funny or snappy dialog, and the near future setting was entirely pointless. An hour and fifteen minutes of setup for a couple of mediocre action fight scenes. Even if there had been a decent payoff, there’s not enough here that would have made me care about it.

TV:

  • ⭐⭐ Sharp Objects: I watched all eight episodes of this on Saturday while I was under the weather with a cold. I only paused for getting food for myself and others. This was amazingly tense and subtle. Apart from the abrupt flashback cut-aways, the background is full of blink-and-you’ll-miss-it glimpses of protagonist Camille Preaker’s subconscious leaking into the the world. It’s not actually a ghost story, but it’s almost presented as one.
  • Love, Death, and Robots: Netflix’s “adult” anthology series of short animated films is an impressive collection, but it is very…male. Out of eighteen episodes, only two are based on stories by women, which is not how the fantasy/horror/SF genres skew these days. Of the episodes where women take a leading role, most are still rooted in violence and gore. Helping Hand is a welcome exception, and I’m not just saying that because a friend of mine worked on it 🙂
  • The Escape Artist: tense legal thriller with David Tennant.
  • Broadchurch seasons 2 & 3: I wasn’t sure where the creators would go with this after season 1 wrapped up. Once I was well into season 2 it felt like a vital and necessary follow-up. Season 3 almost felt tacked-on: same characters, new crime! But they weave in the aftermath of the first two seasons as the B-story, and allow the familiar characters to find whatever measure of peace they’re going to get.
  • The Umbrella Academy: These character archetypes have all been done better elsewhere.
  • Secret City season 2: Not as a good as season 1, but still a high-quality political investigative thriller.

Books

  • Team of Teams by Stanley McChrystal et al.: I ran a book club at work to read through this and discuss it over the course of a month and a half. It touches on the same themes of complexity in modern organizations that Atul Gawande talks about in The Checklist Manifesto. Very interesting.
  • The Wild Storm vol 3, by Warren Ellis and John Davis-Hunt: Hmmmm…I’d been enjoying how Ellis was evolving the conflict between the characters in the first two volumes, but in this volume he seems to take a pause from the story arc to introduce a bunch of new characters and then…kill them all? Or at least most of them. It didn’t feel as vital as the first two books.
  • Nova by Abnett & Lanning: The Complete Collection vol 1: Lovely art, but the storylines were getting a bit repetitive by the end of the book.