I finished watching season 1 of Jessica Jones on Netflix this week. I thought Daredevil was pretty dark and gritty, but Jessica Jones tops it handily. It takes as its core theme the question of how people live with themselves after bad things have happened to them, and after they themselves have done bad things. It mines classic noir tropes with an occasional twist of humour, but it’s rarely more than a wry smile. I was impressed by how un-stereotypically the character arcs of some of the supporting cast played out. Kilgrave is a sociopathic mind-controller, and the series never lets you forget the trail of devastation a villian like that will leave in his wake.
I loved it as a show in its own right, and I loved the tight integration with other characters in the Marvel Cinematic Universe. We live in a world of media franchises and crossovers. This week’s episode of the Imaginary Worlds podcast is about the Tommy Westphall universe spawned by the 1980s TV show St. Elsewhere. In the very last episode of St. Elsewhere it was revealed that the whole show had actually taken place in Tommy’s imagination. But because the show had been linked to many other shows through crossover appearances, does that imply that those other shows also took place in Tommy’s head?
It struck me as interesting how the Marvel Cinematic Universe makes use of real places like New York, and so can easily place shows like Daredevil and Jessica Jones in a very realistic contemporary setting, whereas DC’s properties take place in fictional places like Metropolis, Gotham, and Star(ling) City. I wonder how this influences the writers and producers? I can see how audiences could make a stronger emotional connection with places they know, while writers and producers can take more liberties with imaginary cities.
Most of all, watching Jessica Jones made me want more shows like that. Specifically, I think it would be a perfect fit for Matt Fraction and David Aja’s down-to-earth interpretation of Hawkeye. Except…in Avengers: Age of Ultron Marvel decided to give Clint Barton a white-bread family out in the country. It would be hard now to place him in a run-down apartment in New York with a string of ex-wives to his name. Pity.
Last weekend I finally made time to listen to the Hamilton cast album. It’s excellent. Not something I’d listen to all day on repeat, but I’d definitely go and see the show, if tickets could be had for less than the price of a modest used car.
Something I could (and will) listen to all day is Bleached. They’re playing Bitterzoet in May, and it looks like my Indiestadpas should get me to see them for free, if I can figure out how to get on the guest list without signing up for Facebook.
- I don’t remember how I came across it, but Spartan looked like something I would enjoy: Val Kilmer (whom I’ve always enjoyed watching since Thunderheart) and a shades-of-grey covert agent plot that doesn’t rely on stunts and explosions. It’s a very satisfying thriller, and I enjoyed it a lot.
- I missed Sicario in the cinema last year (most of my cinema time in 2015 was with Fiona), and I was looking forward to catching up with it. It’s far more than a conventional law-enforcement against drug dealers thriller. The world of borderless action against criminals who show themselves as capable of boundless ambition and cruelty is…disturbing. This is exactly what FBI agent Kate Macy (played by Emily Blunt) has to come to terms with. She has her eyes opened to a new world. Part of her is attracted to the idea of making a difference, and part of her is repulsed by the ease with which the supposed good guys can abandon the rule of law. She can’t unsee any of it, and she can’t unexperience the horrors to which she is exposed. Will it corrupt her, or will she stick to her principles? What is she willing to stand up for, and what is she willing to let slide? It’s an ambiguous, thoughtful, and powerful film.
I don’t normally take pictures of my food, let alone post them on the internets. But when I was in Glasgow last Wednesday, our team went out for lunch at Bread Meats Bread on St. Vincent Street. (Apparently this part of St. Vincent Street now gets called “Meat Street” by the locals, because of the number of gourmet burger and steak joints.) The burger pictured below (with actual humans for scale) was called “The Wolf of St. Vincent St.”, and consists of a burger patty, bacon, a veritable coal bing of pulled pork in barbecue sauce, cheese, and ‘Nduja mayonnaise. I had the gluten-free bun (very dry, meh, as these things usually are), but if I had chosen the standard burger it would have included crispy (battered) onions as well. I honestly don’t think I’ve ever had a burger quite like it. I still felt full the next morning.
(Hat tip to Eric Molinsky’s Imaginary Worlds episode “Time Travelers of Renwick St.” for introducing the term “scalies” into my vocabulary, and to Teodor Javanaud Emdén for his site Skalgubbar.)
Last week the New York Public Library opened up an enormous trove of their public domain digital assets (scanned photographs, magazines, pamphplets, etc.).
The first thing I went looking for, of course, were wevboews. I always enjoy seeing historical mentions of them. Here’s an image (circa 1910) I found in a parody of Edgar Allan Poe’s The Raven, featuring not just an ordinary wevboew, but a flying one:
Since watching The Force Awakens at the end of last year, I have been interested in seeing Avatar again. In the years since its release, it seems to have slid out of the popular imagination. With that slide comes the question: was it really that good in the first place? So I watched it this evening for the first time since 2010, and yes, it really was that good. Even now, six years after its release, the visuals are still amazing. The Na’vi are still believable on screen as creatures of flesh and blood rather than mere animations. It remains a powerful story, with solid emotional impact.
As a science-fiction action flick, it has probably started to fade from memory because the world of Pandora hasn’t been revisited in franchise form every couple of years. Tentpole film-making is all about the franchise now. If an original film is any good at all, it gets a sequel. Therefore, if it didn’t get a sequel, how good could it have been? Well, Avatar 2 has long been in the works, and it looks like it will finally hit cinemas in 2017.
(Minor spoiler for The Force Awakens ahead.)
In the latest episode of CGP Grey and Brady Haran’s Hello Internet podcast, they spend two and a half hours talking about The Force Awakens. Starting at 2:30:32, Grey talks about his perspective on the scene where Rey goes squee over being on the ship that did the Kessel run in 14 parsecs. Although this is clearly intended as an in-joke, Grey was pained because it invalidates his interpretation of the scene early in A New Hope where Luke and Ben are negotiating terms with Han and Chewie. Grey always thought that Han was bullshitting them with the line about twelve parsecs. Han — a noted scoundrel — was trying to see if they were suckers enough to fall for the line, so he could hike up the price of their passage.
I sympathise with Grey’s feeling of disappointment when a sequel rules out a pet interpretation. At the end of the game Portal, I chose to interpret the song “Still Alive” as sincere. GLaDOS was genuinely happy at Chell having finally escaped. (She says it herself! “I’m not even angry; I’m being so sincere right now.”) This was what she had been working on for so long: to produce a clone who would make it all the way through her trials, thus proving herself strong enough to take on the horrors of the outside world. The lyrics and melody of the song are triumphant yet sad that Chell, for whom GLaDOS appears to care (in her own twisted way), finally has to depart. It’s a beautiful song that tells (in my mind) a very specific story, one that is completely ruined by Portal 2.
I’m not bitter, just disappointed. Still.
Back on the subject of Star Wars, I only recently came across Star Wars Ring Theory. This offers a mind-blowing re-evaluation of the three prequel films in the light of narrative ring composition (also known as chiastic structures). If this is genuinely how Lucas set out to make the films, it’s clear why he chose to write and direct all three of them himself: because he was the only one who could force through that particular vision. It’s also an excellent example that clever does not always mean good.
I wolf down an early dinner of corn chips, Cheez-Its, beef jerky, and Fig Newtons before I head to a restaurant for a date. She orders the fish; I order whiskey.
“You’re not eating?” asks the waitress.
“I’m on a cleanse.”
“But you can drink whiskey?”
“It’s a new kind of cleanse.”
What Can A Technologist Do About Climate Change by Bret Victor is a deep dive into the biggest problem of our time:
This is aimed at people in the tech industry, and is more about what you can do with your career than at a hackathon. I’m not going to discuss policy and regulation, although they’re no less important than technological innovation. A good way to think about it, via Saul Griffith, is that it’s the role of technologists to create options for policy-makers
Your Two Jobs as a Manager by Elizabeth Spiers resonated with me, and I’m still chewing it over:
Nothing sets people up to fail faster than being unclear about what you expect them to achieve in their jobs. One of the mistakes that I see a lot of first-time managers make is failing to do this from the outset. They worry more about building up a good friendly rapport with the people they’re managing (which is not unimportant*) and many of them try a little too hard to be liked because they have some guilt about being the authority figure in the relationship, which is often a new experience for them. The downside of this is that if expectations are not articulated in the beginning, there’s a good chance that the employees flail because they are trying to please the boss and do the right thing, but don’t know what is actually required, or they lose respect for the manager because they assume the manager doesn’t actually know what their objectives should be.
This recipe for almond butter and quinoa blondies is a good basis for wheat/gluten free chocolate brownies, if you replace the quinoa with oatmeat flour and add sufficient quantities of cocoa. One could also make these with cannabis-infused butter, if one were so inclined.