Categories
Mixed Media

Mixed media, 11 August 2019

TV

  • ⭐⭐ Bron | Broen (The Bridge): One of the best detective thrillers I’ve seen. The plotting is exquisite: over the course of each season the show follows a ton of characters that don’t seem significant at first, but are later revealed to be part of the puzzle, like keys for a sequence of interconnected locks. The crimes and the perpetrators are extreme and byzantine, but the police investigating them are grounded and vulnerable a way that British and American TV police often aren’t. (They’re also not buff and beautiful. They feel like real humans.) Sofia Helin is brilliant as protagonist Saga Norén. There’s a scene early in season 4 where she’s shown getting dressed in her iconic leather trousers, zip-up sweater and overcoat, and driving off in her classic Porsche 911. It was like watching a superhero do their first “suit up” scene in a Marvel movie. It also made me want to watch more European detective shows.
  • Jessica Jones season 3: Good. Sad we won’t be seeing more.
  • Stranger Things season 3: Hmm. In the episode “Bouncing Back From Rejection” of his WorkLife podcast, Adam Grant interviews M. Night Shyamalan about his successes and failures. Shyamalan talks about how he likes shifting genres during a film, and how he has learned that it’s better to shift from a genre of lower emotional intensity to one of higher intensity. (Like going from a family drama to a supernatural horror in The 6th Sense.) You have to raise the stakes. This season of Stranger Things didn’t do that. We’ve got supernatural comedy/horror all the way through, but it went from dread in the first four episodes to caper in the final four. My expectations weren’t fulfilled.
  • ⭐ 💩True Detective seasons 1 and 2: Season 1: brilliant. Season 2: exactly as bad as season 1 was good. Like Star Wars prequels vs. original trilogy bad. Could the characters be any more stereotyped? Could their dialogue have been any more awkward and implausible? Was George Lucas called in as a script doctor? So much mis-casting, so much faux noir.
  • 💩💩 Another Life season 1: Cool-looking trailer, but the first episode is utter garbage. Hot, sweaty garbage. Angry “give me that hour of my life back, you bastards” garbage. Offspring of Interstellar and Arrival, stabbed in the back, and corpse left in a Dumpster to rot for three weeks in the middle of a post-apocalyptic heatwave garbage.

Books:

  • The Mighty Thor vol 1: Thunder In Her Veins, by Jason Aaron, Russell Dauterman, et al.: Excellent
  • The Mighty Thor vol 2: Lords of Midgard, by Jason Aaron, Russell Dauterman, et al.: Also excellent

Films:

  • MIB International: It’s fine. Not great, but not as bad as some critics made out.
  • Rim of the World: War of The Worlds meets summer camp.
  • See You Yesterday: Starts as a lightweight kids-do-time-travel-for-science-fair, but takes a tragic and impactful turn to explore the impact of gun violence and biased policing.
  • Lego Movie 2: Fun
  • Glass: Brilliant first two acts, but stalls for the climax. Tries to open up an expanded universe; fails.
  • Prospect: Low budget science fiction drama about a girl and her prospector father looking for the one dig that will allow them to pay off their debts. It all goes wrong, and she has to team up with one of the bandits who ambushes them to fight for survival. Terrific script, fantastic drama.
  • Spider-Man Far From Home: Very cool, very fun.
  • Happy Death Day 2 U: Fun sequel! Heavier on the zany, lighter on the slasher thriller tension, and with some surprisingly deft emotional touches sprinkled throughout.
  • Fast and Furious presents: Hobbs and Shaw: Can you make a good blockbuster action movie based just on the ridiculous charisma of Dwayne Johnson and Jason Statham, and the (played for laughs) over-the-top hyper-masculine chemistry between them? Yes. Yes, you can.

Podcasts:

  • ⭐⭐ Against the Rules by Michael Lewis: Michael Lewis is my favourite author of non-fiction. This podcast, about “the decline of the human referee in American life and what that’s doing to our idea of fairness” is just as entertaining and insightful as his books. He’s talking not just about sports referees, but “referees” in every sense of the word: regulators, judges, arbitrators – supposedly neutral parties of every kind. It’s a fascinating blend of psychology, politics, and justice both legal and social. Highly recommended.

Categories
Mixed Media

Mixed Media, Sunday 10 February 2019

Films:

High Flying Bird movie poster
  • High Flying Bird: Soderbergh at his best, with a powerful script about race, wealth, sport and passion. Compelling and subtle.
  • How To Train Your Dragon 3: The Hidden World: lovely cap on the trilogy. The bad guy was kinda meh, and the comedy more subdued, but it makes up for it with gorgeous animation and a sweet, emotionally resonant story.
  • Thoroughbreds: Deadpan murder girls. Not a comedy, more of a Hitchcockian tension-building thriller. Anyone with a teenage daughter should be suitably wary.

Books:

  • ⭐⭐ Why We Sleep by Matthew Walker: potentially life-changing, as previously mentioned
  • 💩 Gathering Prey by John Sandford: dull. The last 200 pages are essentially a single shootout scene. The “Prey” books are at their best when protagonist Lucas Davenport is investigating and executing political manoeuvres. This has practically nothing of either. The only redeeming factor is that Davenport’s daughter Letty gets some good protagonist time. She needs her own spin-off series.
  • All-new Inhumans vol 1 (Global Outreach) and vol2 (Skyspears) by James Asmus, Charles Soule, André Araujo, et al: lovely art, but the characters failed to ignite my attention.

“TV”:

  • The Blacklist seasons 2,3,4,5: I kinda went on a binge during January, and finished the remaining seasons I could hoover up from Netflix. Feels like that was almost the only thing I did in my spare time in January. I continued to enjoy it, apart from the first part of season 5, in which they briefly tried to turn it into a weird buddy comedy heist show. There are some shockingly good episodes of TV in here, though, with “Requiem” in season 4 as my standout favourite (the one where we see how Mr. Kaplan became Mr. Kaplan.) They wrapped up a lot of plot threads at the end of season 5. Although there was a notional “cliffhanger” ending in which the next volume of secrets was teased, I’d be okay if I didn’t see any more. The show takes a lot of moral liberties for the sake of story, and the compromises the characters make don’t land with enough impact.
  • The Punisher season 2: follows the standard Netflix Marvel show template. Sincerely made but unremarkable. It may be superfluous to say that it’s “very violent”, but, well. I keep thinking I don’t need more shows like this in my life, and then I keep watching them.
  • The Good Place season 3: continues to be adorable, fast-paced, witty, and continues to drive the premise further and further.
  • Russian Doll: This is straight up amazing. Takes the time loop of Groundhog Day and twists it. You may think you know where this is going to go, but you’re wrong. (Or are you?) Hilariously funny — I laughed out loud while watching this through headphones and my iPhone on an airplane, with a stranger sitting next to me — and moving. Natasha Lyonne is a cranky whirlwind, and a sheer joy.

Podcasting:

  • The Dream season 1 was a fascinating deep dive into multi-level marketing, and the people who take part in it.
  • The most recent episode of Willa Paskin’s Decoder Ring, The Grifter has some nice parallels with Jason Scott’s recent instalment about Robert Hoquim. In it he refers to an old (2015) episode of Reply All, The Man In The FBI Hat. These three episodes make for a fascinating look at con artists, and why they make for such engaging stories.