Q: What do you get if you cross Helvetica with a Loire valley wine?
A: A sancerrif
No gods, no kings, no billionaires
Q: What do you get if you cross Helvetica with a Loire valley wine?
A: A sancerrif
So I bought an iPod while we were on holiday. The 20GB model. And, boy, it is gorgeous. I must have spent hours ogling its sleek design, running my fingers over its sensuous, smooth surfaces, and taking great delight in the touch-sensitive action of the clickwheel. And that was before I loaded it up with any music.
Of course, I then went out and got a protective case for it. (Or rather, Pat and Susan bought me one for my birthday.) Rather than carrying a thin, elegant, and gloriously tactile gadget in my pocket, I now walk around with a much thicker, rubberised white plastic and perspex brick.
It’s still recognizably an iPod, and the functionality of the thing hasn’t changed, but even though I appreciate the extra protection the case provides, I’m feeling somewhat dubious about it. I’m not ungrateful for the present, mind–I asked for it, and Susan took me down to the local Apple store where I chose it myself. As cases go, it’s great. But using a case diminishes the iPod itself.
If I just wanted a music player, and wasn’t concerned about looks or design, I could have bought a cheaper gadget. But I didn’t. I bought the iPod because it is, quite simply, beautiful. And now I’m covering it up? It’s like buying a Porsche and never driving it for fear of chipping the paintwork. The fear is driven by a sense of frugality, but also by a certain embarrassment at being able to afford to pay over the odds for a mere whim. Call it Rich Man’s Angst. I get nervous and awkward when I have to go Christmas shopping, too. When did Christmas stop being fun?
Anyhoo…. I still love my iPod, and using it has given me the urge to tidy up my music collection. I first got an MP3 player in 1999. It had a whopping 64MB of memory, so space was at a premium. I still have a whole bunch of CD rips encoded at 96Kbps, and they sound pretty bad, especially when I’m using the Belkin TuneCast FM transmitter to listen to them over the car radio. A lot of those files aren’t properly tagged with ID3 metadata, either.
It looks like I’m going to have to (have to) spend some time re-encoding a pile of CDs. Which makes me wonder: is it time to switch from MP3 to AAC? I like MP3 for its portability and compatibility, but with iTunes on my PC and an iPod in my pocket, what exactly do I need the compatibility for? If I’m willing to put in the effort now to re-encode my CDs into AAC, I’m sure I can manage it again in a few years’ time when a better codec comes along. Considering that the bulk of my collection is encoded in MP3 at 196KBps or higher, going AAC probably will save me some space, too. The 2GB I have to spare won’t last me another year…
You may be aware of the phenomenon of animal hoarding. Teresa Nielsen Hayden has written about it:
Basically, hoarders accumulate an impossible number of animals–more than they can care or provide for, and far too many for the available space. Their quarters rapidly become a stew of filth, misery, and suffering animals.
It’s an odd, disturbing, and pitiable pattern of behaviour. But as the Singing Branson proved, nothing is too off-beat for the tacky gift shops of Piedmont Avenue. Here is the “Crazy Cat Lady Action Figure (How many cats do you have?)”, on display in a shop window just down the street from the purveyor of fine Bransons:

Half funny, half offensive…all tasteless.
…and sometimes you just want six-legged aliens, space chicks, and ray guns.

(Shop windows of Moe’s Books in Berkeley)
When I was younger, I used to have a mental block on the words porpoise, tortoise, and turquoise. They were just similar enough that my brain filed all three words in a single slot, and I found it inordinately hard to distinguish between them.
Then, a couple of years ago, I developed a similar block on three people: Peter Morville (information architecture guy, co-author of the polar bear book), Peter Merholtz (user experience guy, co-founder of Adaptive Path), and Peter Morwood (SF and Fantasy guy, husband of Diane Duane). I just couldn’t tell the difference between them without a quick net search to jog my brain.
Now, I’ve got the same thing going on with three movie directors: Wes Anderson (Rushmore, The Royal Tenenbaums), Paul W.S. Anderson (Event Horizon, Resident Evil), and Paul Thomas Anderson (Boogie Nights, Magnolia).
The block is annoying, but it has got me wondering what kind of film these directors would make if they really were one person. It would probably be a multi-threaded ensemble piece, darkly humorous, with tragi-comic elements, about a dysfunctional family with at least one child genius…fighting off a zombie invasion from outer space.
It might not suck, you know.