Category Archives: Blogging

Miranda Dreams, I wake up

One sunny autumn day in 1989, I was walking through the UC Berkeley campus. I was a sophomore in college, coming from a class in Dwinelle Hall, heading back to my student co-op on the south side of campus. There’s a small brick-paved bridge just before Sather Gate, with low concrete parapets. The trees growing in the stream bed by Strawberry Creek created a mass of green behind the sunlit bridge.

Standing on the bridge, bright against this backdrop, was a group of three men. Two were playing hammer dulcimers, one a guitar. They were busking, as musicians so often do on campus. Drifting across the light, warm breeze, I heard a song like sunlight transformed into music. The lead hammer dulcimer led the way through a rhythmic melody, punctuated with sycopated notes in bright counterpoint to the basic tune. The second hammer dulcimer added complexity, the guitar lent depth to the thin brightness of the tune.

I was filled with a senseless joy. I can’t explain it; it’s not a song that creates this effect for anyone else I know.

The song was called Miranda’s Dream, written by Lawrence Huntley and performed by the Whamadiddle Dingbats. It is on their instrumental album, Saturday at the Market.

I bought a couple of tapes by the group (Saturday at the Market and Lucky!), but shed them over time. Once, I wrote to Lawrence Huntley and managed to convince him to send me the sheet music for the melody. That I still have, and I used to be able to do a respectable rendition on the guitar. But the place the song has played, faultlessly, for years, is in my head. It’s stuck with me for eighteen years, vivid as the first day I heard it, delightful as sunshine.

Over the last two or three years, I’ve been putting some time and effort into getting that track again. I tried the direct approach, tracking down two different emails for Lawrence Huntley on the web and emailing him directly. All attempts either bounced or vanished. I found a more recent version with steel drums, but it loses the crispness of the original dulcimer and guitar piece.

So finally, I found it on ebay (purest luck!) and bought it. It arrived last week, and once again I can hear the bright, intricate and glorious piece, just as I heard it that warm fall day in Berkeley.

Why am I posting this? Several reasons.

  1. We have some Googlejuice. If the members of the Whamadiddle Dingbats (Lawrence Huntley, Mick Doherty and Keven Shay Johnson) Google themselves, they may find this entry. If you do, guys, thank you for making some lovely, memorable music. Leave a comment, if you like.
  2. I’m after another of their albums, Lucky!. Anyone reading this have a copy?
  3. It’s what’s batting around my head right now. This, is, after all, a blog.

Pieces falling into place

It’s been some time since I’ve blogged. Plans have been up in the air, and sometimes I can’t bring myself to write about things that aren’t yet complete. As Martin wrote in his Going Dutch entry, we are moving to the Netherlands this summer.

This is, naturally, terrifying. It’s been particularly scary for me to contemplate, because I had to find two very important things.

A job
Moving country meant moving work, and that’s a frightening thing. I joined the Royal Bank in 1997 – October would have marked ten years there, and I was thoroughly institutionalised after all that time. It was intimidating to even contemplate finding something else.
A house
Admittedly, unlike the job thing, househunting is for the benefit of entire family, and in theory I could fob some of the weight off on Martin. But I get emotional about my living situation, so it felt like it was really my worry.

So how has it gone, in the month and a half since I quit the Bank and started these searches?

Job

Martin pointed a job ad out to me in late March, before I was even officially out of work. It was for a small company, MediaLab, which makes search software mostly used in libraries. It’s a tiny company, and a deeply cool one, writing interesting software and having fun doing it.

At his urging, I sent them a CV. When we got back from California, I had a phone interview, and made a strong connection with the people I talked to. They invited me over for a second interview in person in their offices in Amsterdam.

That went even better. I enjoyed the conversations and liked the people, and it was mutual. More importantly, from a business perspective, it was clear that my area of expertise and my approach to work will fill a need in their company.

So I got the job.

I start at the beginning of July, which sometimes seems a long way off. I find myself thinking about the work, and about sitting in that bright and friendly office while I do it. It’s been a long time since I looked forward to work.

House

We wanted to rent a house for a year, to give us a chance to try out the Dutch lifestyle before committing a lot of capital to it. But there aren’t a lot of spacious, affordable houses in commute radius of Amsterdam.

It’s also difficult to search for houses at a remove. (My friend who just moved to New Zealand can testify to this.) After poring over hundreds of advertisements on the internet, we finally identified one that looked nice, in a promising town. So Martin and I went across one rainy Monday to look at it.

It was awful. Cramped, grimy and grim, in the shabbiest neighbourhood. It was also not available for a year’s rental; the owners wanted to keep the option open to sell it (an endeavour in which I wish them luck). We straggled home after a discouraging day, ready to abandon the whole damned effort.

I tried to take a fresh tack on the matter the next few days, looking again at places we had eliminated, sending out emails to emails to estate agents. Then the phone rang.

It was an estate agent, calling based on a profile Martin logged on their website. He had a four-bedroom property, he said, just coming on the market for a year’s rental. In Wormerveer, a town in commute distance from my office. Large workroom as well, was I interested? I made interested noises, and he sent me pictures.

Then I was really interested. It’s a light, spacious place, converted from a schoolhouse. The owner, a painter, is taking his family to the Canary Islands for a year. I flew over on Tuesday to view it and the neighbourhood.

It was fantastic. The town charmed me, and the location of the house was particularly good (it’s right near the market plaza, two schools, shops, and some pleasant areas to walk through.) And the house itself was better than the photos conveyed, with an essential unity of light and design.

It didn’t hurt that I got on very well with the owner, the painter, who showed me round. We talked about aesthetics and the philosophy of art, bookbinding and lithography, history and philosophy (boring the estate agent senseless until he recalled another appointment). Practical matters will go easier with this channel of communication, but more importantly, I’m looking forward to future conversations.

So now I have a job and a house, and frankly, they’re both fantastic. What a good set of prospects to take into a challenging year!

True journey as return

Across the Bay from storied Babylon
Surrounded, but apart from, London’s town
I know before the airplane touches down
It sits unchanged, though I am decades gone.
Oh Highland Avenue, they still parade
Each Independence day, the men in close
Formation mower drill, lest grass that grows
Too high permit that England re-invade.
When I describe it, I say, Sunnydale,
Without the vampires. They’d have long since fled
To Berkeley, where it’s cool to be undead.
(Among the ski-tanned, only geeks are pale.)
So I’ve returned to where I had begun
My grand adventure. 94611.

Originally posted on Making Light.

OAT Completion Report: Secret Sonnet

A lesson to be learned from OAT
is that the planning which assumes a test
will only run just once requires the best
environmental outcome, that there’ll be
no faults to find, and that the personnel
will be available to run as planned.
This doesn’t happen – often tests are canned,
the system breaks, or scripts aren’t running well.
Each test should be assumed to run at least
two times, with some days left aside to do
investigations, and to test the new
code fixes some before they are released.
It’s no good planning that we’ll hit a date
if known retesting means that we’ll be late.

Originally written for work, in a continuous paragraph rather than broken into lines.

RBSG: Breaking Up Is Hard To Do

After nine and a half years, it’s nearly over. One more week together, and that’s it. It’s an emotional moment.

I remember how it was in the beginning. After a whirlwind courtship (that aptitude test, the first interview, an overnight at the Apex Hotel in the Grassmarket, so little time to get to know one another!) there I was with pen in hand, signing myself into the relationship. I didn’t know how long it would last, but I went into it thinking of permanence.

I, Abi Sutherland, take thee, The Royal Bank of Scotland…

We’ve been through a lot since then. Better and worse, of course, as always in a job. I’ve wept with the stress of it, thrown a phone headset at the wall, but the Bank also allowed me to do things I did not believe I could.

Sickness and health…we’ve done that too. The Bank put up with me through the worst days of undiagnosed Seasonal Affective Disorder, but also benefitted from my manic hyper-efficient summertimes. Supported me during maternity leave, yet took my sleepless nights on projects for granted.

And richer or poorer? Well, it is a bank. We’ve had record profits, and I’ve benefitted from profit share, membership in the pension plan, and fairly good salaries. I can’t really complain.

The Bank’s gained a few pounds since we got together – bought NatWest, growing fivefold in one transaction. But it stayed attractive to me. There are benefits to a big partner. Lately, though, the strains have started to show, in ways I won’t discuss here. Still, something in me keeps thinking if I stuck it out things would get better. It’s what I do.

You see, I’m a permie girl. My contractor friends, who sign up for six-month knee-tremblers or year-long commitments, extol the virtues of their brief liaisons. But I like the stability, the deep familiarity, that comes of long association. That’s great, but now comes the cost: breaking up is so much harder to do.

And we’re almost to it now, to the division of property into mine and thine, to taking off the security pass like a ring no longer needed, to saying goodbye to a building that once was a home. We’re starting to be careful around each other, aware that things started now can’t necessarily be finished.

And I look at the meat market, look at putting myself back out there to see if someone else will want me the way the Bank wanted me, and it’s frightening. I primp and poke at my covering letters and wonder if this CV makes me look unattractive.

If Martin and I weren’t moving to the Netherlands, if this partnership were not about to be geographically impossible, would I be able to break it off? And yet, moving aside, I think that now is a good time to make the move. We were getting stale, and I don’t see things changing.

So goodbye, Royal Bank. I will miss you when I leave, and I hope we can still be friends, but it’s time for me to go.

I think I’m going to need some chocolate.

Akron and the Abi Field

When the going gets tough at work (as it is now), I often wonder why I do what I do. This is one of the little stories that remind me why I am a software tester.

Martin works for SkyScanner, a flight pricing site. He was testing out some code one evening, a couple of months ago, and ran into the sort of frozen-brain feeling you get after too long at the keyboard. So he pushed his wheely chair back from his desk, into my line of sight.

“Bun,” he said, “Name me two destinations. Just any cities.”

“Düsseldorf,” I replied, “and Akron, Ohio.”

“Thanks,” he said, and wheeled back to his desk to fiddle with the new test data. taptaptap. “[insert curse word].” taptaptap. “[insert worse curse word].” taptaptap.

I looked up as he rolled back into my line of sight, looking exasperated. “How do you do that?”

Turns out that Akron, Ohio, USA, is served by two airports, Akron and Akron Canton. And some clever soul, somewhere in the ancestry of the data they were working with, had remapped Akron Canton to Guangzhou Province in China. That was giving him some…funny results.

So they had to go clean up their data. And I remembered why I’m a software tester.

Quotes that date the book

Sometimes a line, or a paragraph, in a book will leap out at you. It was innocuous enough when the author wrote it, but now it’s dated the book for good. I was leafing through Accounting For Murder, by Emma Lathen (1961), and came across this paragraph.

Stanley was delighted. He would no more have questioned the authority of Clarence Fortinbras to press him into service than he would have questioned the summons of his local draft board.

Within five years, that line was an anachronism.

How to Make Your Husband Cry

A week or two ago, one of the commenters on a weblog I frequent quoted a line from one of her dreams: “Sometimes the petal is as effective as the flower.”

And I felt the tug I feel sometimes, when there’s a sonnet somewhere inside me, waiting to come out. It took about half an hour from tug to completion, but when I read it to M, he thought it was so sweet he cried.

So, for Valentine’s day, a love sonnet.

He knows me well, and so his slightest glance
Conveys a sonnet’s worth of loving thought.
He speaks my mind so often it’s not chance
And I say what he’s thinking, like as not.
I brush his shoulder as I pass his chair,
Or as he drives, reach out and tap his knee.
He leans his head back as I stroke his hair
Then turns back to his work, away from me.
We could say more, but other things intrude,
And evenings are too short to get things done.
Our common terseness might be seen as rude
But one word’s wealth, when there is need for none.
A word, a touch, our deepest feeling shows:
The petal is effective as the rose.

 

5 Little-Known Things About Me

Martin tagged me with this meme, after I took the pictures for his entry. No photos in mine, I’m afraid, but here are five things you probably didn’t know about me.

  1. The bass line
    I have a real affinity for the bass line in music. I love the way a well-written piece will use it to buoy up the melody. I first learned to appreciate it in high school, when I played the bass clarinet (ordinary clarinet didn’t suit my snobbish elitism). Now, although I am technically a soprano, I prefer to sing alto.
  2. Black? Not so much
    Although you can’t tell it by looking at me, black is not actually my favourite colour. I like wearing it, but I prefer looking at shades of green (not too bright) and purple.
  3. Not long all along
    Although I am known for my long hair, I haven’t always worn it this way. When I was 13, I had it cut in a Princess Di style. That lasted less than a year, before I decided I did prefer having it long.
  4. Feats of toughness
    When I was a teenager, I almost never wore shoes in the summer (“summer” being defined as April to October in California). Inevitably, I developed some amazing calluses on my feet. I used to be able to pirouette barefoot on concrete without pain. I gave it up when I moved to Scotland, mostly because we lived in a couple of areas where the dog owners have no manners.
  5. Fabric Fussiness
    I learned to sew when I was 13 or 14, and have been making clothes on and off since then (it’s handy when you don’t match the dominant body shape, or the current taste in styling). This means I’ve handled a lot of different fabrics, and learned a lot about their different properties. Each type of material has its own hand. Over time, I have come to prefer – strongly – the hands of natural fibres such as wool, cotton, linen and silk over synthetic ones. Synthetics have a perceptible greasiness that repels me. I rarely buy anything of artificial fibre now, particularly to wear against my skin.

Dear readers, now it is your turn. Surprise me.

The Monkey Kings

This is a dark one. It came out of a conversation in mid-December, which strayed into a conflation between the three wise monkeys (see no evil, hear no evil, speak no evil) and the three Wise Men. Everyone else was very lighthearted, but I have never found the monkeys joyous. That kind of denial of the world around them always saddens me.

O Melchior, you brought me gifts of gold
To make a crown that you refuse to see:
You hide your eyes lest kingship make me bold,
Seduce me on the heights, corrupting me.
And Balthasar, who gave me frankincense,
Is deaf to my pronouncements. Are your fears
That I’d usurp my Father so intense
That cowering, you cover up your ears?
My Caspar, bringing myrrh, forsees such loss
And closes fast his mouth, unreconciled
To thoughts of death, the shadow of the cross:
A monstrous gift to bring a newborn child.
Dear kings, this all was planned, and you might trust
I’ll do not what I choose, but what I must.

Technically, I am not very satisfied with this poem. The language is strained – I should have rewritten it a few times before posting it, but I doubt I will ever go back and do so. It’s a rare example of a sonnet where I haven’t used an octave and sestet structure, but rather three balanced quatrains summarised by a couplet. It fits the three-part structures of both of the stories that converge in this sonnet.

In content terms, I found it very easy to map the three kings to the three monkeys. Caspar, in particular, works well as the wise man foreshadowing the death of the infant receiving his gift, struck mute by the horror of what he has to convey. The others hide out of fear, but he does so out of pity. The point of the poem, of course, is that none of them have the full picture, which is deeper and more frightening than they can possibly imagine.

I do think, before I start doing these in my Christmas cards, that I will have to choose more cheery themes.