{"id":1811,"date":"2005-12-28T23:47:20","date_gmt":"2005-12-28T23:47:20","guid":{"rendered":"http:\/\/sunpig.com\/mt-entry-1811.html"},"modified":"2006-09-23T19:30:11","modified_gmt":"2006-09-23T19:30:11","slug":"2005-in-review-radio-sunpig","status":"publish","type":"post","link":"https:\/\/sunpig.com\/martin\/2005\/12\/28\/2005-in-review-radio-sunpig\/","title":{"rendered":"2005 in review: Radio Sunpig"},"content":{"rendered":"<p>Around Christmas last year I put together <a href=\"http:\/\/www.sunpig.com\/martin\/archives\/2005\/02\/05\/2004_in_review_music\/\">a CD to represent what I&#8217;d been listening to a lot in 2004<\/a>.  It didn&#8217;t consist <em>just<\/em> of my absolute favourite tracks of the year&#8211;instead, I wanted a slice of them that fit together nicely as a compilation.  I&#8217;ve done the same this year, and <a href=\"http:\/\/www.grapefruitmoon.co.uk\/2005\/12\/swordfish-shuffle-2005.html\">taking a leaf out of Alan&#8217;s book<\/a>, here they are with a bit of commentary.  (Note that not all of the tracks are actually <em>from<\/em> 2005, but they are all tracks that I heard for the first time this year.)<\/p>\n<p style=\"text-align:center\"><img decoding=\"async\" src=\"http:\/\/www.sunpig.com\/martin\/images\/2005\/12\/radiosunpig2005.jpg\" alt=\"Radio Sunpig 2005\" \/><\/p>\n<ol>\n<li><b>Ash &#8211; <i>Orpheus<\/i><\/b><br \/> <br \/>\nEver since I bought Ash&#8217;s CD <i>Meltdown<\/i>, I knew this song would make a fantastic opener for whatever compilation CD I chose to make for 2005.  It&#8217;s so full of energy and sunshine that I can&#8217;t help smile every time I hear it.  It puts the bounce back in my step whenever I&#8217;m feeling down.<\/li>\n<li><b>Foo Fighters &#8211; <i>No Way Back<\/i><\/b><br \/> <br \/>\n<i>In Your Honor<\/i> has so many great rock songs on it, but <i>No Way Back<\/i> meshes well with the opener by Ash:  hard and bright, and full of energy.<\/li>\n<li><b>Editors &#8211; <i>Bullets<\/i><\/b><br \/> <br \/>\nIgnore the lyrics, and just feel the way every aspect of the composition <em>pounds<\/em> the song forward.  The insistent drums, the looping vocals, the crashing guitars, and the battering bass&#8211;pure magic.<\/li>\n<li><b>Sondre Lerche &#8211; <i>Virtue and Wine<\/i><\/b><br \/> <br \/>\nI have no idea what this song is about, but I love its musical richness&#8211;the way that every millisecond is filled with layer upon layer of textures and mini-melodies.  That, and the killer drums that start off jazzy and end up in a crazy, perpetual solo.  <a href=\"http:\/\/96db.com\">Keith<\/a> told me that <i>Faces Down<\/i> was a better album than <i>Two-Way Monologue<\/i>, and he was right.<\/li>\n<li><b>Jason Falkner &#8211; <i>Afraid Himself To Be<\/i><\/b><br \/> <br \/>\nI&#8217;m a great lover of <em>rhythm<\/em>, and there&#8217;s a particular vocal technique that gives me a great thrill:  it&#8217;s when the singer lays down a clear <em>beat<\/em> with their voice that hits a subtly different rhythm than the main melody.  The chorus here pushes that button for me.  Have a listen for the part that starts, &#8220;One-thing-I-know-is-true&#8230;&#8221;, which is where Jason Falkner&#8217;s voice takes the lead, and everything else just follows.  This is another find I owe to <a href=\"http:\/\/96db.com\">Keith<\/a><\/li>\n<li><b>System Of A Down &#8211; <i>Radio, Video<\/i><\/b><br \/> <br \/>\nSpeed metal polka.  How can you not love that?  Brilliant insanity.<\/li>\n<li><b>Glen Phillips &#8211; <i>Finally Fading<\/i><\/b><br \/> <br \/>\nI love pretty much anything Glen Phillips does.  This song is him in full power-pop mode, and it just sounds great.<\/li>\n<li><b>Athlete &#8211; <i>Tourist<\/i><\/b><br \/> <br \/>\nThe album has its ups and downs, I liked the melancholy loneliness of this title track.<\/li>\n<li><b>Imogen Heap &#8211; <i>Hide And Seek<\/i><\/b><br \/> <br \/>\nRarely does a song have the power to completely knock the wind out of me on a first listen, but this one did it.  I vividly remember exactly where I was (just passing Dreghorn junction on the Edinburgh bypass) when I first heard it, and I practically had to pull of the road to listen to it properly.  It still gives me goosebumps.  It&#8217;s not a style of music I listen to much, and I was a bit wary about buying the album (<i>Speak For Yourself<\/i>) in case it was all like this, and the rest of the songs didn&#8217;t match up.  The reality turns out to be a fantastic electro-pop disc that has turned into one of my favourites of the year.<\/li>\n<li><b>Queens Of The Stone Age &#8211; <i>Broken Box<\/i><\/b><br \/> <br \/>\nI liked <i>Lullabies To Paralyze<\/i> a lot, but I don&#8217;t think that I really grew to <em>love<\/em> it.  <i>Broken Box<\/i> is one of the easier tracks to listen to.  It has a strong backbone on which to mount its curious diversions.<\/li>\n<li><b>Danger Doom &#8211; <i>Old School<\/i><\/b><br \/> <br \/>\nI came to Danger Doom via Gorillaz&#8211;Danger Mouse co-produced their album <i>Demon Days<\/i>, and MF Doom raps on the track &#8220;November Has Come&#8221;.  Danger Doom is a collaboration between Doom and Danger Mouse.  There&#8217;s a lot to like on the album (<i>The Mouse and The Mask<\/i>), but this track is my favourite:  fun and funky, and exactly as old school as the title suggests.<\/li>\n<li><b>Gorillaz &#8211; <i>Feel Good Inc.<\/i><\/b><br \/> <br \/>\nDidn&#8217;t like this when I first heard it.  I was wrong.  It&#8217;s awesome.<\/li>\n<li><b>Charlotte Hatherley &#8211; <i>Bastardo<\/i><\/b><br \/> <br \/>\nMad props to anyone who can put the phrase &#8220;two-faced lothario&#8221; into a catchy power-pop chorus.  &#8220;Bastardo&#8221; is a twisted love story about a girl, a boy, and a guitar.  Charlotte Hatherley (guitarist for Ash) is the queen of the &#8220;ooh-ooh&#8221; backing vocal, and &#8220;Bastardo&#8221; shows off these talents as much as it does her songwriting skills.<\/li>\n<li><b>Maximo Park &#8211; <i>Going Missing<\/i><\/b><br \/>  From one of my favourite albums of the year (<i>A Certain Trigger<\/i>) comes an achingly beautiful post-punk anthem about longing, loneliness and desperation.<\/li>\n<li><b>Snow Patrol &#8211; <i>Spitting Games<\/i><\/b><br \/>  I love Gary Lightbody&#8217;s lazy, rounded vocals.  When they&#8217;re wrapped around a fast pop-rock belter like this one, sparks fly.<\/li>\n<li><b>Imogen Heap &#8211; <i>Daylight Robbery<\/i><\/b><br \/>  Another song from Imogen Heap, this one a massive electro-pop-rock mash-up, complete with bips and bleeps, synthesizer-mangled vocals, and burning electric guitars.  Love it.<\/li>\n<li><b>Glen Phillips &#8211; <i>Courage<\/i><\/b><br \/>  Glen Phillips again, this time with a gorgeous ballad full of hope and persistence.<\/li>\n<li><b>Sondre Lerche &#8211; <i>On And Off Again<\/i><\/b><br \/>  As before, even though I know the lyrics by heart, I have <em>no idea<\/em> what Sondre Lerche is singing about.  But he does it with such <em>emotion<\/em>, and such a beautiful arrangement that this song regularly gives me a lump in my throat.<\/li>\n<li><b>Foo Fighters &#8211; <i>Cold Day In The Sun<\/i><\/b><br \/>  The most surprising song from <i>In Your Honor<\/i>.  Light and airy, with a touch of Hammond organ in the background, it sounds like a sunny day in the summer.<\/li>\n<li><b>Robert Downey, Jr &#8211; <i>Broken<\/i><\/b><br \/>  This is the song that plays over the end credits of the film <i>Kiss Kiss, Bang Bang<\/i>.  It caught my attention, and I thought it was Dave Matthews until the music credits came up.  Wow.  This track is from his album <i>The Futurist<\/i>, and its laid back groove provides a perfect ending for the compilation.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Around Christmas last year I put together a CD to represent what I&#8217;d been listening to a lot in 2004. It didn&#8217;t consist just of my absolute favourite tracks of the year&#8211;instead, I wanted a slice of them that fit together nicely as a compilation. I&#8217;ve done the same this year, and taking a leaf &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sunpig.com\/martin\/2005\/12\/28\/2005-in-review-radio-sunpig\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;2005 in review: Radio Sunpig&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1811","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/posts\/1811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/comments?post=1811"}],"version-history":[{"count":0,"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/posts\/1811\/revisions"}],"wp:attachment":[{"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/media?parent=1811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/categories?post=1811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sunpig.com\/martin\/wp-json\/wp\/v2\/tags?post=1811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}